February 21, 2007


After months of waiting, last Friday saw NOFX return to our fair shores, playing an All Ages show at the Camberwell Centre. For the first time in many years, since I escaped the oppressive clutches of the overly restrictive bitch that is the underage music scene, I experienced a show predominantly populated by 8-17 year olds.

I realised that although technically there was perhaps only a decade or so separating us me and the congregation of prepubescent lads beside me, I had evolved, (or devolved?) centuries beyond that underage mind-space.

When I saw these three boys watching the band, toeing the dubious line between sheer excitement and incontinence, I suddenly worried where their mothers were. Where a heavily dreadlocked Melvin look-alike threw himself from a towering speaker stack, I was maternally concerned for his welfare after the crowd parted to make way for his flailing limbs. When a young man conquered the crowd security to show Fat Mike his likeness permanently inked on his forearm, I almost LOLed at the thought (“Daddy, who’s FAT MIKE?”, “Why son, this was the man responsible for contributing ‘Hotdog In A Hallway’ to the world of music*.)

My tolerance to these people so inspired by fast, loud punk music seems to have diminished with terrifying rapidity. Am I a prude? Am I too old? Am I a nasty, embittered cynic? Or was I merely too sober?

I’m gonna go with ‘all of the above’, Eddie, and in future stick to embarrassing myself by the bar and/or toe tapping in the corner. Fuck I’m sad.

*I kid, I kid. Fat Mike’s contribution to modern punk rock is a very significant one, indeed.


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